Miral Never Movie Free-Online Part 1
A Weinstein Co. (in North America) release of a Jerome Seydoux presentation, with Pathe, ER Prods., Eagle Pictures, India Take One Prods., with the participation of Canal Plus and Cinecinema, of a Jon Kilik production. (International sales: Pathe Intl., London/Paris.) Produced by Kilik. Executive producer, Francois-Xavier Decraene. Co-producer, Eran Riklis. Directed by Julian Schnabel. Screenplay, Rula Jebreal, based on the novel "Miral" by Jebreal.
Hind Husseini - Hiam Abbass Miral - Freida Pinto Nadia - Yasmine Al Massri Fatima - Ruba Blal Jamal - Alexander Siddig Hani - Omar Metwally
While any film addressing the Israeli-Palestinian divide can expect a measure of controversy, few hearts or minds are likely to be stirred by Julian Schnabel's inoffensive, well-intentioned "Miral." Schnabel's signature blend of splintered storytelling and sobering humanism feels misapplied to this sweeping multigenerational saga of four Arab women living under Israeli occupation, the youngest of which, Miral, emerges a bland totem of hope rather than a compelling movie subject. A year-end Stateside release date will raise expectations unlikely to be borne out by either passionate critical response or sustained arthouse biz.
Set to open this month in Europe, "Miral" will go out in the U.S. Dec. 3 through the Weinstein Co., making it the rare film to favor a Palestinian p.o.v. and also be presented under the auspices of Harvey Weinstein, a vocal supporter of Israel. But while the film doesn't shy away from portraying everyday Israeli abuses of authority, its approach to the conflict is calculated to offend as little as possible; the predictable, can't-we-all-just-get-along coda would be easier to swallow were it preceded by a more politically engaged or personally engaging narrative
Adapted by journalist Rula Jebreal from her own semi-autobiographical novel, the picture is roughly divided into four chapters of varying length. Providing a sturdy anchor is the story of Hind Husseini (Hiam Abbass), a compassionate, iron-willed woman living in Jerusalem shortly after the creation of Israel in 1948. Hind turns her home into the Tifl Al-Arabi Institute, a school and orphanage for Palestinian girls, and a stronghold of peace and education in the tumultuous decades that follow.
A Weinstein Co. (in North America) release of a Jerome Seydoux presentation, with Pathe, ER Prods., Eagle Pictures, India Take One Prods., with the participation of Canal Plus and Cinecinema, of a Jon Kilik production. (International sales: Pathe Intl., London/Paris.) Produced by Kilik. Executive producer, Francois-Xavier Decraene. Co-producer, Eran Riklis. Directed by Julian Schnabel. Screenplay, Rula Jebreal, based on the novel "Miral" by Jebreal.
Hind Husseini - Hiam Abbass Miral - Freida Pinto Nadia - Yasmine Al Massri Fatima - Ruba Blal Jamal - Alexander Siddig Hani - Omar Metwally
While any film addressing the Israeli-Palestinian divide can expect a measure of controversy, few hearts or minds are likely to be stirred by Julian Schnabel's inoffensive, well-intentioned "Miral." Schnabel's signature blend of splintered storytelling and sobering humanism feels misapplied to this sweeping multigenerational saga of four Arab women living under Israeli occupation, the youngest of which, Miral, emerges a bland totem of hope rather than a compelling movie subject. A year-end Stateside release date will raise expectations unlikely to be borne out by either passionate critical response or sustained arthouse biz.
Set to open this month in Europe, "Miral" will go out in the U.S. Dec. 3 through the Weinstein Co., making it the rare film to favor a Palestinian p.o.v. and also be presented under the auspices of Harvey Weinstein, a vocal supporter of Israel. But while the film doesn't shy away from portraying everyday Israeli abuses of authority, its approach to the conflict is calculated to offend as little as possible; the predictable, can't-we-all-just-get-along coda would be easier to swallow were it preceded by a more politically engaged or personally engaging narrative
Adapted by journalist Rula Jebreal from her own semi-autobiographical novel, the picture is roughly divided into four chapters of varying length. Providing a sturdy anchor is the story of Hind Husseini (Hiam Abbass), a compassionate, iron-willed woman living in Jerusalem shortly after the creation of Israel in 1948. Hind turns her home into the Tifl Al-Arabi Institute, a school and orphanage for Palestinian girls, and a stronghold of peace and education in the tumultuous decades that follow.
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